The Bloomsbury Group

The early 20th century was a period marked by immense advancement of both literary and artistic dimensions. One of the most influential cultural and intellectual groups that emerged in the immediate wake of the Victorian period was the Bloomsbury Group. Originating in the Bloomsbury home of Virginia Woolf and her sister Vanessa Bell, the members of the circle included the Cambridge University ‘Apostles’ friends their brother, Thoby, brought to the ‘Thursday Evenings’ the sisters hosted. Clive Bell, Leonard Woolf, Lytton Strachey and Saxon Sydney Turner were the initial members. Around 1910, E. M. Forster, John Maynard Keynes, Duncan Grant and Roger Fry also became prominently involved.

Birth of a fresh perspective

The birth of any artistic space eventually becomes the storehouse for new ideas. Though the members of the group were born into the late Victorian world, their ideas and lifestyles represented a dramatic departure from the rigid norms of the time. Known for their pioneering work in literature, art, economics, and social thought, the Bloomsbury Group helped redefine British intellectual and artistic life in the modernist age. They embraced a culture of sexual equality and freedom, informality and fierce intellectual debate. At their gatherings everything from the status of art to issues of Britain’s declining empire was subjected to intense scrutiny.

English Modernism

The group was greatly impacted by G.E. Moore's philosophical writings, especially "Principia Ethica," emphasized the importance of pursuing friendship, truth, and beauty in order to lead a happy life. The foundation for the Bloomsbury Group's revolutionary contributions to modernism in the 20th century was laid by their emphasis on emotional authenticity and intellectual independence.

From Strachey's “Eminent Victorians” and Keynes's “Economic Consequences of the Peace” to Virginia Woolf's “Mrs. Dalloway” and the paintings of Vanessa Bell and Duncan Grant, the euphoric atmosphere of openness, experimentation, and brilliance gave rise to some of the most important declarations in English modernism.

Literature, Art and Aesthetic Concept

Central to the group was Virginia Woolf, whose modernist novels like “Mrs. Dalloway” and “To the Lighthouse” revolutionized narrative form. The stream of consciousness style, capturing myriad of emotions, repetitions and observations, added novel elements to the genres of fiction emphasizing subjectivity, psychological realism, and time as fluid and fragmented. Her essay “A Room of One’s Own” became a cornerstone of feminist literary theory, arguing that economic independence is essential for female creativity.

Victorians valued propriety, religious certainty, and national grandeur. In contrast, the Bloomsbury members embraced personal freedom, pacifism, secular humanism, and experimental art. The Bloomsbury Group’s aesthetic was characterized by individual expression, bold colors, and experimental techniques, reflecting the influence of Post-Impressionism and modernist literature. They not only rejected the rigid moral codes of their upbringing but also advocated for sexual and emotional honesty, often living in open or same-sex relationships that scandalized their contemporaries.

In economics, John Maynard Keynes transformed the field with his advocacy for government intervention in markets. His ideas, later known as “Keynesian economics,” fundamentally shaped Western policy responses to the Great Depression and post-World War II recovery. Unlike classical economists, Keynes believed that laissez-faire capitalism often led to destructive booms and busts—and that reasoned, collective action could avert economic disaster.

Visually, the group’s contributions through the “Omega Workshops”, established by Fry and Grant, brought modernist aesthetics into British domestic life. Rejecting the ornate designs of Victorian decor, they promoted functional yet beautiful objects influenced by Post-Impressionism and abstraction. This reflected their broader mission to integrate art and life, blurring the lines between high culture and everyday experience.

Interior with Duncan Grant by Vanessa Bell (1920)

Criticism and Way-Forward

Despite criticism for elitism and insularity, The Bloomsbury Group was criticised for elitism and insularity. However their insistence on intellectual freedom, aesthetic innovation laid groundwork for later progressive movements, from feminism to anti-war activism.

Today, the circle’s legacy is visible not just in textbooks or exhibitions but also in debates and research about gender, art, aesthetics and sexuality. In many ways, their space feels remarkably contemporary: a group of like-minded people trying to reimagine ways of art, life, work and relationships amidst a changing order. Maybe someday someone will discuss the family of Pouls.of.art too, who knows?!